Film observes the daily aspect of our daily bread from the point of view of the product itself. The continuum of pictures opens anthropological and cultural views on the status the bread has in the Finnish Euro-culture that dreads wrong types of carbohydrates.
The film takes a tour in the corridors of hospital filled with long-term patients; simultaneously constructing a workmanlike anthropological vision on how the personnel earn their daily bread under a heavy workload.
Finnish Dr. Ruohonen was born in Helsinki during some time of the 20th century. His
Filmography includes:
“The Carnival Laugh” (La Risa Carnavalesca) (Karnevaalinauru) (2000)
“A Platonic Concept of Hate – Visual and Geertzian Notes on the Venezuelan Cockfight” (Platoninen vihan käsite) (2001),
“Episodes of Beauty. Me and Marshall Sahlins in the Universe of the Eastern Venezuelan Beauty and Power” (2002)
“Riemukkuutta ja murhetta” (2002)
“El Maíz Mágico y los Tractores Chinos” (2003)
“Blood and Sand in the European Elsewhere” (2003)
“Flying the Bolivarian Skies” (Volando en los Cielos Bolivarianos) (2004)
“Maximum Attack!! Anthropology of Speed” (2005)
”Tricular sobre las latas bailando” (2006, a. Dancing and Drinking Anthropologically in Ibero America, b. Last Salsa in Cumaná, c. Mi Alma - My Soul
“Faculty of Arts” (2006)
“Ethique Aesthetique” (2006)
“My Urban Kalakukko Museum” (2006)
“Polttava salaisuus” (2007)
“Their Daily Bread” (2007)

Director, producer, editor, script & camera: Ilkka Ruohonen
Duration: 44 min.
Country: Suomi, 2007