
In Koriam’s Law Australian anthropologist Andrew Lattas meets his
match in philosopher-informant Peter Avarea of Matong village, Pomio, Papua
New Guinea.
Motivated by their lively dialogues the film sets out to place that most
misconstrued of cultural phenomena, the “cargo-cult”, in a universalising
light.
The Pomio Kivung Movement was founded in 1964 by a local leader called Koriam.
Koriam’s Law concerns itself with the contemporary works and understandings
of the Pomio Kivung. The movement’s leaders are keen to show that
it has nothing to do with ‘waiting for cargo’. Rather, its mission
is to prepare the way for the devoutly wished ‘change’ and,
at the same time, to organise for a better society in the here and now.

Gary Kildea was born in 1948 in Sydney and has worked professionally with
film since 1965. He belongs to the generation of Australian filmmakers (like
Ian Dunlop, Dennis O’Rourke, Bob Connolly, Robin Anderson), who inspired
each other and worked closely together on numerous projects. Gary Kildea
is a teacher at the Ethnographic Film Unit of the Research School of Pacific
and Asian Studies, Australian National University, Canberra. Gary worked
extensively in Papua New Guinea. Films: Bugla Yunggu (1972); Bilong Living
Bilong Ol (1973); Trobriand Cricket (1974); Where Do We Go From Here? (1976);
Ileksen (1978); Celso and Cora (1983); Valencia Diary (1992); Man Of Strings
(1998); Koriam’s Law (2005)
